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2014 marks the twentieth anniversary of the acclaimed French Laundry restaurant in the Napa Valley—“the most exciting place to eat in the United States” (The New York Times). The most transformative cookbook of the century celebrates this milestone by showcasing the genius of chef/proprietor Thomas Keller himself. Keller is a wizard, a purist, a man obsessed with getting it right. And this, his first cookbook, is every bit as satisfying as a French Laundry meal itself: a series of small, impeccable, highly refined, intensely focused courses.

Most dazzling is how simple Keller's methods are: squeegeeing the moisture from the skin on fish so it sautées beautifully; poaching eggs in a deep pot of water for perfect shape; the initial steeping in the shell that makes cooking raw lobster out of the shell a cinch; using vinegar as a flavor enhancer; the repeated washing of bones for stock for the cleanest, clearest tastes.

From innovative soup techniques, to the proper way to cook green vegetables, to secrets of great fish cookery, to the creation of breathtaking desserts; from beurre monté to foie gras au torchon, to a wild and thoroughly unexpected take on coffee and doughnuts, The French Laundry Cookbook captures, through recipes, essays, profiles, and extraordinary photography, one of America's great restaurants, its great chef, and the food that makes both unique.

One hundred and fifty superlative recipes are exact recipes from the French Laundry kitchen—no shortcuts have been taken, no critical steps ignored, all have been thoroughly tested in home kitchens. If you can't get to the French Laundry, you can now re-create at home the very experience Wine Spectator described as “as close to dining perfection as it gets.”




 

• Sales Rank: #51657 in eBooks
• Published on: 2016-10-25
• Released on: 2016-10-25
• Format: Kindle eBook

Amazon.com Review
To eat at Thomas Keller's Napa Valley restaurant, The French Laundry, is to experience a peak culinary experience. In The French Laundry Cookbook, Keller articulates his passions and offers home cooks a means to duplicate the level of perfection that makes him one of the best chefs in the U.S. and, arguably, the world.

This cookbook provides 150 recipes exactly as they are used at Keller's restaurant. It is also his culinary manifesto, in which he shares the unique creative processes that led him to invent Peas and Carrots--a succulent pillow of a lobster paired with pea shoots and creamy ginger-carrot sauce--and other high-wire culinary acts. It offers unimagined experiences, from extracting chlorophyll to use in coloring sauces to a recipe for chocolate cake accompanied by red beet ice cream and a walnut sauce. You are urged to follow Keller's recipes precisely and also to view them as blueprints. To keep them alive, they must be infused with your own commitment to perfection and pleasure, as you define those terms.

Keller's story, shared through the writing of Michael Ruhlman, shows how this chef was both born and made. After winning rave reviews when he was still in his 20s, it took a more experienced chef throwing a knife at him because he did not know how to truss a chicken to open his eyes to the importance of the discipline and techniques of classical French cooking. To acquire these fundamental skills, he apprenticed at eight of the finest restaurants in France.

Grounded in classic technique, Keller's cooking is characterized by traditional marriages of ingredients, assembled in breathtakingly daring new ways, such as Pearls and Oyster, glistening caviar and oysters served on a bed of creamy pearl tapioca. Continually piquing the palate, his meals are a procession of 5 to 10 dishes, all small portions vibrantly composed. For example, Pan Roasted Breast of Squab with Swiss Chard, Seared Foie Gras, and Oven-Dried Black Figs require just three birds to serve six. The result: you are never sated, always stimulated.

The 200 photographs by Deborah Jones include more than just beauty shots: they show how to prepare various dishes; how Keller, shown stroking a whole salmon, respects his ingredients; and how the perfection of baby fava beans still nestled in the downy lining of their succulent pod, or the seduction of an abundance of fresh caviar, calls out the best from the chef. --Dana Jacobi

From Publishers Weekly
"Cooking is not about convenience, and it's not about shortcuts. Take your time. Move slowly and deliberately, and with great attention," writes Keller, the owner of the French Laundry in Napa Valley who was named 1997's best chef in America by the James Beard Foundation. At a decidedly unhurried pace, Keller delivers 150 recipes that reflect the perfectionism that catapulted him to national acclaim. With few exceptions (e.g., Gazpacho, Eric's Staff Lasagne), recipes are haute, labor-intensive preparations: Lobster Consomm? en Gel?e, Warm Fruitwood-Smoked Salmon with Potato Gnocchi and Balsamic Glaze, or Braised Stuffed Pig's Head. Tongue-in-cheek recipe names like "Macaroni and Cheese" (aka Butter-Poached Maine Lobster with Creamy Lobster Broth and Mascarpone-Enriched Orzo) and "Banana Split" (actually, Poached Banana Ice Cream with White Chocolate-Banana Crepes and Chocolate Sauce) belie the complexity of the dishes. Throughout, Keller conveys his vision as a culinary artist in spare, meticulous prose, emphasizing form over expedience: "the great challenge [of cooking] is... to derive deep satisfaction from the mundane." (Nov..
- is... to derive deep satisfaction from the mundane." (Nov.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
Although this stunning work is structured in chapters ranging from canap?s to desserts, to consider it merely a "cookbook" would be to trivialize its content and impact. The French Laundry (in Yountville, CA) is one of the most important restaurants in the United States, and owner Keller is an articulate chef with culinary principles. His philosophy: the palate gets weary, so small and often exotic courses should be designed to maximize the experience of each flavor and texture. He defends tradition, e.g., chickens must be trussed, and yet each recipe is startlingly original. Although this is a complex book for the average busy person--Keller advises: "Take your time. Take a long time"--there are also fairly simple dishes. Epitomizing a love of ingredients (there is a resource guide to esoterica) and an almost magical approach to food, this is required for any real "cookbook" collection.
-Wendy Miller, Lexington P.L., KY
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent cook book, but not for the average home cook
By RePhil4905
This is an excellent cook book with some delicious recipes, and great insight into the mind of one of the greatest chefs in the world. It talks about all the different aspects of professional cooking, from preparation to taste, to plating and appearance, to portion size and more. Every recipe is directly from Thomas Keller's restaurant The French Laundry (owner of 3 Michelin stars), which the book got it's name from. The book is in the collection of just about every successful chef, and for that it receives 4 stars. However, it is not for the average home cook. This book is aimed directly at professional chefs. It says that all the recipes in it were tested in home kitchens, but I wouldn't recommend this book if you don't have at least a semi-extensive culinary knowledge. A lot of the ingredients aren't just at any grocery store, and some are very expensive. A lot of the procedures require skills that take practice to acquire. If you're not sure about it I suggest going to a book store and checking it out first, or if you're a Kindle member maybe they have a sample.

4 of 4 people found the following review helpful.
Pretty. Lovely photography
By North to Alaska
Pretty. Lovely photography. Good reading, Zen-like. just the thing for a Sunday afternoon browse or to place on a coffee table for guests. *Not* terribly useful. If you want to read the story about how chef Keller got his ideas and motivation for dishes, then by all means buy this book. There are more 'utilitarian' french cookbooks with excellent dishes available, such as Greenspans etc., that oh, for example say, have an index.

1 of 1 people found the following review helpful.
Beautiful cookbook
By Jane Rosenthal
This is a beautiful cookbook. I had the chance to eat at the French Laundry about 10 or 12 years ago and it was a wonderful experience (I don't think I could afford it now, so glad I went when I did). Absolutely delicious and beautiful dishes and so I got this book with a bit of nostalgia. The pictures are lovely and inspirational. I admit that I have not tried any of the recipes, but having looked through them I am not sure I will. The recipes seem overly complicated and many seem incomplete, such as missing steps or lacking detail on how to achieve the desired results. When I have more time, I will try out a recipe or two, but this will not be a "go-to" book for me because of how overly complicated the dishes are and how many key details seem to be lacking.

See all 257 customer reviews...

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[P796.Ebook] Fee Download Ben Hogan's Five Lessons: The Modern Fundamentals of Golf, by Ben Hogan, Herbert Warren Wind

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A timeless classic with nearly one million copies in print, Ben Hogan’s Five Lessons outlines the building blocks of winning golf from one of the all-time masters of the sport—fully illustrated with drawings and diagrams to improve your game instantly.

Ben Hogan, one of the greatest golfers in the history of the sport, believed that any golfer with average coordination can learn to break eighty—if one applies oneself patiently and intelligently. With the techniques revealed in this classic book, you can learn how to make your game work from tee to green, step-by-step and stroke by stroke.

In each chapter, a different experience-tested fundamental is explained and demonstrated with clear illustrations—as though Hogan were giving you a personal lesson with the same skill and precision that made him a legend. Whether you’re a novice player or an experienced pro, Ben Hogan’s Five Lessons is a must-have reference for anyone who knows that fundamentals are where champions begin.

• Sales Rank: #3062 in Books
• Size: Large
• Color: Green/Brown
• Brand: Booklegger
• Model: 1011128-AAA
• Published on: 1985-09-20
• Released on: 1985-09-20
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .30" w x 5.25" l, .50 pounds
• Binding: Paperback
• 128 pages

Features

• In each chapter, a different tested fundamental is explained and demonstrated with clear illustrations, as though Hogan were giving you a personal lesson with the same skill and precision that made him a legend
• Covers grip, stance, posture, first & second part of the swing and a short summary and review
• Paperback size: 8" x 5A1/4"
• 109 pages Herbert Warren Wind: has been called "the best golf writer in captivity." His works include Thirty Years of Championship Golf (with Gene Sarazen), The Story of American Golf, and The Complete Golfer. Anthony Ravielli, an artist and avid golfer, used his vast knowledge of anatomy and the mechanics of human movement to show the reader the precise positions and related muscles that must be utilized to achieve success with Ben Hogan's techniques.

Amazon.com Review
Ben Hogan's premise in this 1957 classic is driven home in bold letters: "THE AVERAGE GOLFER IS ENTIRELY CAPABLE OF BUILDING A REPEATING SWING AND BREAKING 80." Religions are founded on less, and Hogan's detailed analyses and illustrated demonstrations of grip, stance, posture, and the two basic components of the swing make up a sacred book. Though its very simplicity seems dated, this is the tome of technique that should serve as the foundation of every golf library.

Review
Jim Fogerty Professional, Sunset Country Club, St. Louis Most articles on golf deal only in theory, but Ben is to be congratulated on probably the most practical series on golf instruction ever written.

Timothy E. Sick Calgary After reading the first two articles, I had a 73 for the first time in my life, and hadn't played for six months before that.

Frank Sadler Professional, Bellingham Country Club, Bellingham, Washington It's the first time words and illustrations have made golfing technique absolutely clear. I'm applying the lessons to my teaching program here and highly recommending them to my pupils. I'd say it's the greatest instruction series of all time. Women are particularly keen on it. It'll make a lot of new golfers -- good golfers.

About the Author
Ben Hogan discovered golf as a fifteen-year-old caddie. He turned pro at seventeen, joined the tour full-time as a nineteen-year-old in 1931, and has won nine pro majors. A four-time PGA Player of the Year, he is one of only four golfers to win all four professional majors. At forty-one, he won five of six tournaments, including the Masters, U.S. Open and the British Open. Hogan died at eighty-four in 1997 in his home in Fort Worth.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A great read with excellent graphics!
By John Stewart
Hogan's book is a short, but comprehensive analysis of the golf swing. His stated purpose of giving the average weekend golfer the tools to develop a repeatable golf swing has, in my opinion, been met. The fundamentals he espouses are few, and simple enough to implement without causing one to overthink. I found his views about grip and stance, and their importance in setting up the rest of the swing, particularly helpful. If you're a student of the game, this book is a prerequisite before reading the multitude of expert analyses of Hogan's swing that are available elsewhere. The advanced golfer interested in developing his/her knowledge of shaping shots and ball flight won't find information here. But if you're like me and want to develop better consistency of contact with all your clubs and eliminate anxiety as you stand over the ball, then this book is for you.

0 of 0 people found the following review helpful.
Excellent for New Golfers - Learn Good Habits Early
By MTE
I can't rate this book highly enough for new golfers.

I started with golf approximately 2-3 weeks ago. The most "golf" I played before was mini-golf and, of course, Wii Golf.

I played nine holes and went to the driving range. I was terrible, as expected. Inconsistant, my back hurt after, and I probably shot an 80...in nine holes.

I bought this book, determined to not build bad habits.

I read the book in a night For a week, I practiced my grip, posture, and swing. I went to the driving range and it was night and day. I still have a LONG way to go, but the improvement was remarkable and noticeable.

The book is well written. Hogan's instructions are easy to follow and there are many illustrations included. Hogan did a great job explaining the "why" for grip, position, etc. He also gave sage advice when you notice a problem. Don't focus on the problem alone. There's a reason in your swing why it is happening. At first, I shrugged off the idea of keeping a notebook when I golf, but I now see the reason. Ben Hogan doesn't need my endorsement as a great golfer, but he has it.

1 of 1 people found the following review helpful.
The instruction and illustrations in this book were excellent. It was all well organized and detailed without ...
By Plantain Hill
Much more interesting than I had envisioned an instructional on golf to be...
I bought and read this to be a helpful and supportive wife as my husband learns a new sport. I wanted a bit of instruction for myself as well in the unlikely event that I ever went with him.
The end result was that I am very interested in learning myself now. The instruction and illustrations in this book were excellent. It was all well organized and detailed without being complicated.
It also makes the sport sound so much more interesting, fun and inclusive of grace and choreography of movement than I had imagined.

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[D964.Ebook] PDF Ebook The Nix: A novel, by Nathan Hill

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NEW YORK TIMES BESTSELLER

“The Nix is a mother-son psychodrama with ghosts and politics, but it’s also a tragicomedy about anger and sanctimony in America. . . .  Nathan Hill is a maestro.” —John Irving 

From the suburban Midwest to New York City to the 1968 riots that rocked Chicago and beyond, The Nix explores—with sharp humor and a fierce tenderness—the resilience of love and home, even in times of radical change.

It’s 2011, and Samuel Andresen-Anderson—college professor, stalled writer—has a Nix of his own: his mother, Faye. He hasn’t seen her in decades, not since she abandoned the family when he was a boy. Now she’s re-appeared, having committed an absurd crime that electrifies the nightly news, beguiles the internet, and inflames a politically divided country. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart. Which version of his mother is true? Two facts are certain: she’s facing some serious charges, and she needs Samuel’s help.

To save her, Samuel will have to embark on his own journey, uncovering long-buried secrets about the woman he thought he knew, secrets that stretch across generations and have their origin all the way back in Norway, home of the mysterious Nix. As he does so, Samuel will confront not only Faye’s losses but also his own lost love, and will relearn everything he thought he knew about his mother, and himself.


From the Hardcover edition.

• Sales Rank: #396938 in Books
• Published on: 2016-08-30
• Released on: 2016-08-30
• Formats: Audiobook, CD, Unabridged
• Original language: English
• Number of items: 17
• Dimensions: 5.90" h x 1.70" w x 5.10" l,
• Running time: 1290 minutes
• Binding: Audio CD

Amazon.com Review
An Amazon Best Book of September 2016: The Nix is a surprising novel that you didn’t know you were waiting for until you start reading. At its center is Samuel Andresen-Anderson, a failed writer and increasingly apathetic college professor, who gets a second chance at literary fame from the most unlikely source—the mother who abandoned him as a child. The American public is up in arms about a rather absurd crime that Samuel’s mother committed against an obnoxious politician. While Sam is shocked and surprised to learn the whereabouts of his estranged mother, he also realizes it’s the chance of a lifetime to tap into the zeitgeist with some choice tidbits about her, if he can write it before media A.D.D. sets in. But in order to write the book that will revive him, Samuel is forced to dig into her life, and he discovers a completely different version of the woman he thought he knew; it turns out he’s not the only one who’s life is carved out of traumatic events. Nathan Hill is incredibly perceptive, as in this, which I can’t stop thinking about: “The things we love the most are the most disfiguring. Such is our greed for them.” Hill has created a brilliant junction of mother-son saga and comic satire about our self-righteous and obsessive society. This is a big, clever novel that wraps itself around you until you never want to leave. --Seira Wilson, The Amazon Book Review

Review
“A mother-son psychodrama with ghosts and politics, but it’s also a tragicomedy about anger and sanctimony in America. . . . Nathan Hill is a maestro.” —John Irving

“A fantastic novel about love, betrayal, politics and pop culture—as good as the best Michael Chabon or Jonathan Franzen.” —People
 
“It broke my heart, this book. Time after time. It made me laugh just as often. I loved it on the first page as powerfully as I did on the last.” —Jason Sheehan, NPR.org
 
“Funny, endlessly inventive. . . . [a] wild tragicomic tangle of [Hill’s] imagination.” —Entertainment Weekly (A-)

“Hill has so much talent to burn that he can pull of just about any style, imagine himself into any person and convincingly portray any place or time. The Nix is hugely entertaining and unfailingly smart, and the author seems incapable of writing a pedestrian sentence or spinning a boring story. . . . [A] supersize and audacious novel of American misadventure.” —Teddy Wayne, The New York Times Book Review

“Irresistible. . . . A major new comic novelist . . . . Hill is a sharp social observer, hyper-alert to the absurdities of modern life. . . . his enormous book arrives as one of the stars of the fall season. . . . readers will find this novel. And they’ll be dazzled.” —Ron Charles, The Washington Post

“Hill is an uncommonly profound observer, illuminating much about the relationships between parents and children. . . . Nathan Hill is an important new writer, able to variously make readers laugh out loud while providing a melancholy, resonant tale.” —Eliot Schrefer, USA Today (4/4 Stars)

"[A] great sprawling feast of a first novel. . . . Hill writes with an astonishingly sure hand for a young author. . . . let's just call him the real thing." —Dan Cryer, Newsday


From the Hardcover edition.

About the Author
Nathan Hill’s short fiction has appeared in many literary journals, including The Iowa Review, AGNI, The Gettysburg Review, and Fiction, which awarded him its annual Fiction Prize. A native Iowan, he lives with his wife in Naples, Florida. 




From the Hardcover edition.

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135 of 145 people found the following review helpful.
This is something special. A great big read from a great big talent with a great big heart.
By RobynJC
Samuel is an underachieving assistant professor of literature at a nothing college outside Chicago who dislikes his students, spends way too much time playing an online fantasy game, got a huge advance for a novel he never wrote, and is pining for the girl he loved when he was eleven. His life is stalled out big time, but he is dragged out of stasis when his estranged mother, who abandoned him when he was eleven and has never been heard from since, makes national headlines for throwing rocks at a Presidential candidate - she is the Packer Attacker! Through a ridiculous series of events, Samuel is tasked with writing his mother's life story, and is forced to investigate her life since leaving him. The Nix is the story of how mother and son came to where they are -- and where they might go from here.

But really, this basic plot description does not begin to do this book justice. Nathan Hill has a dazzling imagination, and the feats of writing that he performs are an absolute joy to experience. He writes one chapter from the POV of a gaming addict, an internal stream of consciousness in which the character makes elaborate plans to quit gaming, but talks himself out of it. This is ten pages, one paragraph, and it is absolutely mesmerizing -- funny and insightful and sad, about the stories we tell ourselves. Another chapter is just a conversation between Samuel and the lawyer who is representing his mother, nothing but dialogue, and it is hysterical. Another chapter is a Choose Your Own Adventure mini-bookl explaining how Samuel's relationship with a violin prodigy came unraveled, because Samuel does not choose wisely. Another chapter is...you get the picture.

The story of Samuel and his mother is a jumping-off point for Mr. Hill to write about a huge range of things: let's see, he covers second-rate higher education, gaming addicts, the ravenous news media, music prodigies, child abuse, child abandonment, thwarted love, the 1960s counter-cultural revolution, Allan Ginsberg, Walter Cronkite -- at one point, no joke, there is a sequence inside the head of Walter Cronkite where he imagines himself as a bird flying above the Chicago riots... and I still haven't skimmed the surface of all the things this book is really about.

And if I have a criticism, that's what it is. This book is about so many things, it is so wildly ambitious and imagined, that at times it seems to get a bit out of control. Around the time Walter Cronkite was imagining himself as a bird, I was thinking, hmm, a little editing might have helped some. Reading The Nix feels a bit like watching a wildly talented thoroughbred run -- and win -- its first race. You see the immense beauty of the animal, the strength, the speed, it easily outpaces the rest of the field, you know you're at the beginning of something special. Yes, the horse is a little wild, a little undisciplined, maybe veers around the track a bit, maybe tires at the end, but my gosh. You want to turn to everyone around you and say "Did you SEE that?"

And one last thing. So many books these days are being written with a lot of technique, but they're lacking in heart. What makes this book special, to me, is that Mr. Hill's heart is as generous as his talent. He writes fantastic sentences, he has astonishing craft, but beyond that, he has true empathy, compassion and hope, He sees the insanity of the world, but he also has hope for our future. And I have tremendous hope for his.

58 of 65 people found the following review helpful.
Favorite of 2016 So Far
By Brett Benner
Okay so I'm hanging out on a limb here to say that Nathan Hill has written arguably the best book of at least the summer, if not the year. Big, expansive, and terribly funny he satires everything from politics, to the Internet, to online gaming, and the media. Spanning fifty plus years the story centers on Samuel Andresen-Anderson, an unhappy college professor, struggling writer, and player of 'World of Elfquest'-a vaguely veiled, 'World of Warcraft' game. With his novel deadline now passed, and a publisher ready to sue for breach of contract, he desperately ends up turning to the one person who abandoned him over thirty years ago and is now at the center of the media firestorm for assaulting a conservative governor-his Mother. Despite Hill's book taking place in the sixties before the Democratic convention and in 2011 before the Republican one, Hill's commentary can't help but feel painfully relevant to today such as: "it's no secret that the great American pastime is no longer baseball. Now it's sanctimony", and when Walter Cronkite is watching the riots taking place in Chicago before the Democractic convention, 'Anyone who thinks television can bring the nation together to have a real dialogue and begin to understand one another with empathy and compassion is suffering a great delusion.' Hill is being compared to Irving and I think that's a legitimate claim, both in his absurdist humor and his touching way he threads the delicate and complicated lines between parents and their children. It's not just a great first book, but a great book period.

6 of 6 people found the following review helpful.
Don't Kill Your Best Writers with Senseless Hype. (Marketing people!)
By Beverly Jackson
Wonderful writing; terrible hype from publishers. Can only disappoint a reader. It was a good first book, but the market is insane. I like this writer and will read him again, but as an older person who would NEVER call Walter Cronkite (our GOD of the 60's) "Ol' Cronkite", the naivete of young writers trying to "go big" without the experience is laughable and a little sad. He got some of it right (the heart of the matter) but the depth of the angst of the times was definitely not there, and how could it be? He wasn't either.

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• Sales Rank: #1616983 in Books
• Binding: Paperback

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Following his renowned The Coast of Chicago and Childhood, story writer Stuart Dybek returns with eleven masterful and masterfully linked stories about Chicago's fabled and harrowing South Side. United, they comprise the story of Perry Katzek and his widening, endearing clan. Through these streets walk butchers, hitmen, mothers and factory workers, boys turned men and men turned to urban myth. I Sailed With Magellan solidifies Dybek's standing as one of our finest chroniclers of urban America.

• Sales Rank: #539873 in Books
• Brand: Dybek, Stuart
• Published on: 2004-10-01
• Released on: 2004-09-09
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .72" w x 5.50" l, .95 pounds
• Binding: Paperback
• 320 pages

From Publishers Weekly
Dybek's third work of fiction (his first in over 10 years, after the story collections Childhood and Other Neighborhoods and The Coast of Chicago) comprises 11 elegiac, interlocking stories narrated by Perry Katzek, a young Polish-American growing up on Chicago's racially diverse South Side in the 1950s and 1960s. Although it lacks the narrative momentum of a linear novel, the book offers a powerful, cumulative portrait of the lives of Perry, his family and the people in his neighborhood, where "it seemed that almost every day someone lost teeth at one or another of the corner bars." "Breasts" follows three men with only tenuous connections to Perry, including Joey Ditto, a gangster who keeps getting distracted from making a ruthless hit by the ethereal forms of past lovers. "Blue Boy," which begins as a tale about a sick youngster, ends as a gorgeous contemplation of loss. The strongest stories deal directly with Perry's exploits. In "Orchids," Perry and his friend Stosh try to scheme their way to Mexico by stealing exotic orchids, and in the much-anthologized "We Didn't," Perry and his girlfriend's erotic lakeshore tumbling ("Swimsuits at our ankles, we kicked like swimmers to free our legs") is interrupted by the discovery of a dead body. "I was the D. H. Lawrence of not doing it," Perry reflects, "the voice of all would-be lovers who ached and squirmed." Indeed, all of these beautifully written stories teem with aching recollections. They are lyrical odes to wasted lives, youthful desires, vanishing innocence and the transformative power of memory, which is "the channel by which the past conducts its powerful energy; it's how the past continues to love."
Copyright 2003 Reed Business Information, Inc.

From Booklist
*Starred Review* Whenever Perry Katzek's much loved Uncle Lefty takes him up on the roof of his building to see the pigeon coop and the great grid of Chicago, he says, "Welcome to Dreamsville," which could serve as an alternative title for this magical suite of linked stories. In his first book since the unforgettable Coast of Chicago (1990), Dybek writes of his hometown with the poignant realism of Henry Roth, the mythic intensity of Leon Forrest, and the poetic otherworldliness of Gabriel Garcia Marquez. Eleven perfectly formed and exquisitely sensual tales--each so saturated with personality, event, and revelation they feel like novels--illuminate transforming moments in Perry's life. Imaginative, adventurous, and romantic, Perry falls in love and loses loved ones, witnesses violence and experiences transcendence, while Dybek masterfully and tenderly conjures the edgy ambience of Chicago's ethnic neighborhoods and the great divide between the bucolic North Side and the broken-glass-strewn, tavern-spiked industrial South Side, where bravado, musical gifts, and witty repartee are highly valued. Set in a chimerical world of ice and flowers, soul-bruising hard work and sweet dreams, ruthless mobsters and die-hard friends, Dybek's mesmerizing tales coalesce into an epic of survival and spiritual growth that is, by turns, gritty, surreal, hilarious, tragic, and bittersweet. Donna Seaman
Copyright © American Library Association. All rights reserved

Review

“Spellbinding stories that are, by turns, hilarious, stunning and tragic, but always deeply moving, genuine and compassionate.” ―Chicago Tribune

“Dream and memory, humor and pathos, song and silence: At his best Dybek combines these disparate elements in a shimmering web.” ―Newsday

“All are gems; each glistens with Dybek's spare poetry; combined, they form a vibrant mosaic about a boy's coming of age.... By Magellan's end, you'll never want to leave... [An] A.” ―Entertainment Weekly

“Vivid...With I Sailed With Magellan Dybek solidifies his reputation as the rightful heir to Farrell's gritty realism.” ―The New York Times Book Review

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15 of 17 people found the following review helpful.
Its Inventiveness and Spirit are Undeniable
By Bookreporter.com
Stuart Dybek's I SAILED WITH MAGELLAN arrives more than a decade after his previous book, a short story collection titled THE COAST OF CHICAGO. While it's neither a blockbuster nor a doorstop tome like Jeffrey Eugenides's long-awaited MIDDLESEX or Donna Tartt's years-in-the-making THE LITTLE FRIEND, I SAILED WITH MAGELLAN is definitely worth the wait, serving as a reintroduction to a writer who captures his old Chicago neighborhood with documentary detail and raconteur flourish.
Despite its billing as a novel, I SAILED WITH MAGELLAN is actually a series of short stories that have locales and characters in common. All feature a teenage narrator named Perry and all are set in the Little Village community of Chicago during the early 1960s. Dybek lovingly and often humorously evokes this time and place through telling observations.
Poor families use old bed sheets for curtains and veterans order shots for friends who didn't come back from the war. It's a dangerous, often discouraging neighborhood, and in strong, unfussy prose Dybek describes "the daily round of life where bag ladies combed alleys and the homeless, sleeping in junked cars, were found frozen to death in winter. Laid-off workmen became wife beaters in their newfound spare time; welfare mothers in the projects turned tricks to supplement the family budget; and it seemed that every day someone lost teeth at one or another of the corner bars."
Fortunately, Dybek lets his lively characters --- including a junior high writing prodigy named Camille Estrada and a slob hitman named Joe Ditto --- run wild in this setting. Rather than engineering plots and scenes for them, Dybek simply lets them tell their own stories, a rare talent that gives the book a personal, unrehearsed quality. Plus, it makes for some truly weird goings-on. As a coming-of-age story, I SAILED WITH MAGELLAN eschews any predictability in favor of a dreamlike flow of events and characters, many of which are supersaturated with local color.
There is, for instance, the Chickenman, who walks around town with a chicken perching on his head and pecking corn off his tongue. And there's Little Village's unofficial child saint, Ralphie Poskozim, who was born with blue skin: "The blue was plainly visible beneath his blue-green eyes, smudges darker than shadows, as if he'd been in a fistfight or gotten into his mother's mascara. Even his lips looked cold."
All of these strange characters are filtered through Perry's perspective, and as the novel progresses, he grows up and his concerns become more adult. Fortunately, as Perry gains more freedom, the stories don't lose their charm or their sense of wonder.
Memory works in flashes, not in fluid narratives, and it allows for exaggeration of facts. In the end these chapters cohere into something larger than a short-story collection, but the book is not like a proper novel. This is certainly not a criticism: the form of I SAILED WITH MAGELLAN may be unclassifiable, but its inventiveness and spirit are undeniable.
--- Reviewed by Stephen M. Deusner

11 of 12 people found the following review helpful.
Excellent writing, deeply known characters
By J. Rosenberg
I especially liked the stories in the first half of this book, those that focus on main character Perry, a boy growing up in a Polish neighborhood on Chicago's Southwest side in the 1950s. They are deeply felt, wonderfully detailed, highly realistic and with excellent characters. Toward the middle are a few stories more "poetic" in style that appeal to me less. The last stories return to the old neighborhood and again, the perfectly noted details and highly individualized characters drew me back into the lives of that time and place. Highly recommended for those who enjoy short fiction and anyone who appreciates excellent writing.

2 of 2 people found the following review helpful.
Among the best contemporary fiction I have read in years
By R. M. Peterson
I will start with the conclusion: READ THIS BOOK. It is exhilarating and poignant, funny and wise. It consists of eleven interlaced stories about Perry Katzek, the son of an immigrant from Poland, growing up on the South Side of Chicago in the 1950s. The Chicago setting, the kaleidoscopic episodes, the sweaty grittiness of urban, immigrant life, and the rather picaresque nature of the narrative all remind me of Saul Bellow's "The Adventures of Augie March", though, to my mind, I SAILED WITH MAGELLAN turns out to be an even better book.

No doubt much of it is based on the personal experiences of author Stuart Dybek, who was born in 1942 and grew up in the Little Village neighborhood of Chicago. Indeed, much of the book may well be personal memoir draped with but the thinnest of fictional garb. Still, it reads more like a novel (or a collection of inter-related stories) than like a memoir.

Those who are from Chicago and are now between the ages of 55 and 75 might treasure the book just a tad more than the rest of us, inasmuch as it features such places as Twelfth Street Beach, Sportsman's Park, the Rocks, Meigs Field, Douglas Park, the outdoor market on Maxwell Street, the Sanitary Canal, and the Baha'i Temple. (I certainly would treasure any novel half as good about Philadelphia - my hometown - during the same years.) But one need not be from Chicago to find the book special. What it has to say about memory, childhood and youth, and the human condition should speak to most, and especially to males who grew up in an urban, working-class setting.

The book abounds with lovable characters and with sparkling anecdotes. Among the former are Perry's father (whom he and his brother call "Sir" because one night while watching "Leave It to Beaver" he had said how nice it was that Wally and Beaver called their father "Sir"), his uncle Lefty who played the sax and the horses, his best friend Stosh, and his erstwhile girlfriend Laurel Elaine Levanto who left Perry stranded in the Fire Truck Graveyard after the high school prom. Among the anecdotes is this one about Denny "the Fish" Mihala: when the fourth-grade teacher Sister Philomena asked the class, "If birds come in flocks, and fish in schools, what other kinds of groupings can you name?", Denny eagerly answered, "A dozen donuts!"

The motif that struck home with me the most had to do with memory and nostalgia. Here is one such excerpt: "Who knows why certain humble objects - a bike, a sweater, a sled - are salvaged by memory or dream to become emblems of childhood? Childhood, an alternative universe expanding into forgetfulness, where memory rather than matter is the stuff of creation."

I SAILED WITH MAGELLAN is also noteworthy for its writing and craftsmanship. The stories are skillfully interwoven, and there are moments when Dybek's writing is brilliant, such as when he refers to a character gazing up at the nighttime sky, "aware that he was just another speck adrift in stardust on the absolute zero breath of God."

I SAILED WITH MAGELLAN (the title comes from a song Perry's brother Mick sang when they were kids) was published in 2004, which to my way of thinking still makes it contemporary fiction. I don't read a lot of contemporary fiction. Maybe I should make a point of reading more, because I SAILED WITH MAGELLAN is first-rate literature. It easily is one of the ten best books I read in 2012.

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Understanding spatial statistics requires tools from applied and mathematical statistics, linear model theory, regression, time series, and stochastic processes. It also requires a mindset that focuses on the unique characteristics of spatial data and the development of specialized analytical tools designed explicitly for spatial data analysis. Statistical Methods for Spatial Data Analysis answers the demand for a text that incorporates all of these factors by presenting a balanced exposition that explores both the theoretical foundations of the field of spatial statistics as well as practical methods for the analysis of spatial data.

This book is a comprehensive and illustrative treatment of basic statistical theory and methods for spatial data analysis, employing a model-based and frequentist approach that emphasizes the spatial domain. It introduces essential tools and approaches including: measures of autocorrelation and their role in data analysis; the background and theoretical framework supporting random fields; the analysis of mapped spatial point patterns; estimation and modeling of the covariance function and semivariogram; a comprehensive treatment of spatial analysis in the spectral domain; and spatial prediction and kriging. The volume also delivers a thorough analysis of spatial regression, providing a detailed development of linear models with uncorrelated errors, linear models with spatially-correlated errors and generalized linear mixed models for spatial data. It succinctly discusses Bayesian hierarchical models and concludes with reviews on simulating random fields, non-stationary covariance, and spatio-temporal processes.

Additional material on the CRC Press website supplements the content of this book. The site provides data sets used as examples in the text, software code that can be used to implement many of the principal methods described and illustrated, and updates to the text itself.

• Sales Rank: #1576794 in Books
• Brand: Brand: Chapman and Hall/CRC
• Published on: 2004-12-20
• Original language: English
• Number of items: 1
• Dimensions: 10.36" h x 1.25" w x 7.18" l, 2.25 pounds
• Binding: Hardcover
• 512 pages

Features

• Used Book in Good Condition

Review
…well-presented research-level text with interesting examples and an extensive reference list, much of which relates to work which has appeared during the last five years or so.
International Statistics Institute, 2005

This book tackles spatial data analysis from a statistician's point of view. It provides a very natural bridge to spatial data analysis for the classically trained statistician who is familiar with linear models and the like. In terms of detail, it is at a very good level for its stated audience of a graduate class in spatial statistics; there is much useful information….The authors have made a tightly written and well-planned contribution that updates much relevant material and provides welcome and thoughtful advice. …I have no hesitation in recommending it for a graduate class in spatial statistics, and it is a welcome addition to my library.
-Journal of the Royal Statistical Society, Series A, Andrew Robinson, University of Melbourne

This book provides an introduction to statistical methods for the analysis of spatial data. In a coherent manner, it presents statistical tools and approaches for analysis of three types of spatial data: geostatistical data, lattice data, and point patterns. …The book is intended as a text for a graduate-level course in spatial statistics. I believe that it would be a suitable text for a variety of reasons. First of all, the book provides comprehensive coverage of statistical methods for geostatistical data, lattice data, and point patterns. Not many books on spatial statistics have this feature. …The book has a nice balance of statistical theory, methodology, and applications, with an emphasis on statistical methods. It contains many concrete examples that illustrate both theory and methods. In illustrating the methods, real and interesting data examples are drawn from many disciplines such as agriculture, ecology, geology, epidemiology, and meteorology. …This is a wonderful book that systematically introduces readers to spatial statistics. With a writing style that is illustrative, clear, thoughtful, and cogent, teachers and students alike should find it a delightful text for this diverse and exciting field.
-Journal of the American Statistical Association, Jun Zhu, University of Wisconsin-Madison

Most helpful customer reviews

4 of 6 people found the following review helpful.
definitely technical
By M. Wilson
but accessible if you have the appropriate background. A great treatment of the underlying theory, without too much obfuscation. The authors include many interesting examples and make available SAS code on their website.

9 of 19 people found the following review helpful.
not for the real user
By Robert Ehrlich
I am a daily practitioner of spatial anlaysis. This book places very heavy emphasis on variograms and Kriging. These topics are beloved by mathematical statisticians and theoretic image analysts--who analyze few if any spatial data. The reason is that these topics are buttressed by a mountain of theorems that provide the (usually) university researchers with fodder for more theorems as well as a glut of publications.

However these methods are not robust and the assumptions behind semivariograms and the like are similar to those behind such things as the correlation coefficient. Also the real underpinnings of this sort of analysis is the 2D Fourier transform that they never discuss--and the the very strengths and weaknesses of the Fourier transform are similar to those of the Kriging procedures.

The book is disappointing in it's approach and should be of interest only to the statistics people who take in each others washing.

3 of 10 people found the following review helpful.
The problem is in the title
By JoeT
"Statistical methods" to me means you are using some sort of statistical package (SAS, R, etc) to do spatial data analysis.

What I was NOT expecting was a mathematical treatise that really didn't get into data analysis at all.

Very disappointing, unless you are a mathematician, who this text is really written for. If you are an end user like me an was looking for actual "methods" in spatial analysis, then look elsewhere. This book is not for you.

See all 4 customer reviews...

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